Шрифт Ladoga

Normal
Ladoga -- one of the most beautiful Russian designs from the soviet period. The type family was developed in Polygraphmash in 1968 by Anatoly Shchukin on the base of his own lettering for book covers and titles. It was one of the first attempts in Cyrillic typography to create text face in a style of renaissance antiqua. Stylization to broad pen calligraphy resembles early forms of Latin types that were based on handwritten humanistic minuscule. Unique in its character set digital version of Ladoga was designed by Viktor Kharik on the base of artworks of Shchukin for ParaType. The family consists of roman and italic styles in display version and contains 4 basic styles in the text version. The fonts include characters of original shapes as well as more modern alternatives. Besides there are a set of additional characters, old style figures and small caps. Ladoga is gorgeous in display sizes and pretty readable in texts. It's well suitable for fiction literature, historical books, art criticism, religious and philologist works. The first version of the family was released in 2010. In 2013 two bold styles were added to the text version.

Bold
Ladoga -- one of the most beautiful Russian designs from the soviet period. The type family was developed in Polygraphmash in 1968 by Anatoly Shchukin on the base of his own lettering for book covers and titles. It was one of the first attempts in Cyrillic typography to create text face in a style of renaissance antiqua. Stylization to broad pen calligraphy resembles early forms of Latin types that were based on handwritten humanistic minuscule. Unique in its character set digital version of Ladoga was designed by Viktor Kharik on the base of artworks of Shchukin for ParaType. The family consists of roman and italic styles in display version and contains 4 basic styles in the text version. The fonts include characters of original shapes as well as more modern alternatives. Besides there are a set of additional characters, old style figures and small caps. Ladoga is gorgeous in display sizes and pretty readable in texts. It's well suitable for fiction literature, historical books, art criticism, religious and philologist works. The first version of the family was released in 2010. In 2013 two bold styles were added to the text version.

Bold Italic
Ladoga -- one of the most beautiful Russian designs from the soviet period. The type family was developed in Polygraphmash in 1968 by Anatoly Shchukin on the base of his own lettering for book covers and titles. It was one of the first attempts in Cyrillic typography to create text face in a style of renaissance antiqua. Stylization to broad pen calligraphy resembles early forms of Latin types that were based on handwritten humanistic minuscule. Unique in its character set digital version of Ladoga was designed by Viktor Kharik on the base of artworks of Shchukin for ParaType. The family consists of roman and italic styles in display version and contains 4 basic styles in the text version. The fonts include characters of original shapes as well as more modern alternatives. Besides there are a set of additional characters, old style figures and small caps. Ladoga is gorgeous in display sizes and pretty readable in texts. It's well suitable for fiction literature, historical books, art criticism, religious and philologist works. The first version of the family was released in 2010. In 2013 two bold styles were added to the text version.

Normal
Ladoga -- one of the most beautiful Russian designs from the soviet period. The type family was developed in Polygraphmash in 1968 by Anatoly Shchukin on the base of his own lettering for book covers and titles. It was one of the first attempts in Cyrillic typography to create text face in a style of renaissance antiqua. Stylization to broad pen calligraphy resembles early forms of Latin types that were based on handwritten humanistic minuscule. Unique in its character set digital version of Ladoga was designed by Viktor Kharik on the base of artworks of Shchukin for ParaType. The family consists of roman and italic styles in display version and contains 4 basic styles in the text version. The fonts include characters of original shapes as well as more modern alternatives. Besides there are a set of additional characters, old style figures and small caps. Ladoga is gorgeous in display sizes and pretty readable in texts. It's well suitable for fiction literature, historical books, art criticism, religious and philologist works. The first version of the family was released in 2010. In 2013 two bold styles were added to the text version.

Italic
Ladoga -- one of the most beautiful Russian designs from the soviet period. The type family was developed in Polygraphmash in 1968 by Anatoly Shchukin on the base of his own lettering for book covers and titles. It was one of the first attempts in Cyrillic typography to create text face in a style of renaissance antiqua. Stylization to broad pen calligraphy resembles early forms of Latin types that were based on handwritten humanistic minuscule. Unique in its character set digital version of Ladoga was designed by Viktor Kharik on the base of artworks of Shchukin for ParaType. The family consists of roman and italic styles in display version and contains 4 basic styles in the text version. The fonts include characters of original shapes as well as more modern alternatives. Besides there are a set of additional characters, old style figures and small caps. Ladoga is gorgeous in display sizes and pretty readable in texts. It's well suitable for fiction literature, historical books, art criticism, religious and philologist works. The first version of the family was released in 2010. In 2013 two bold styles were added to the text version.

Italic
Ladoga -- one of the most beautiful Russian designs from the soviet period. The type family was developed in Polygraphmash in 1968 by Anatoly Shchukin on the base of his own lettering for book covers and titles. It was one of the first attempts in Cyrillic typography to create text face in a style of renaissance antiqua. Stylization to broad pen calligraphy resembles early forms of Latin types that were based on handwritten humanistic minuscule. Unique in its character set digital version of Ladoga was designed by Viktor Kharik on the base of artworks of Shchukin for ParaType. The family consists of roman and italic styles in display version and contains 4 basic styles in the text version. The fonts include characters of original shapes as well as more modern alternatives. Besides there are a set of additional characters, old style figures and small caps. Ladoga is gorgeous in display sizes and pretty readable in texts. It's well suitable for fiction literature, historical books, art criticism, religious and philologist works. The first version of the family was released in 2010. In 2013 two bold styles were added to the text version.